Digitech Rp200 Manual Espanol
.MODELING BASS PROCESSOR User’s Guide.Warning For your protection, please read the following: Water and Moisture: Appliances should not be used near water (e.g. Near a bathtub, washbowl, kitchen sink, laundry tub, in a wet basement, or near a swimming pool, etc.) Care should be taken so that objects do not fall and liquids are not spilled into the enclosure through openings.President of Harman Music Group 8760 S. Sandy Parkway Sandy, Utah 84070, USA Date: September 14,2001 European Contact: Your local DigiTech / Johnson Sales and Service Office or Harman Music Group 8760 South Sandy Parkway Sandy, Utah 84070 USA Ph: (801) 566-8800.7.The foregoing is in lieu of all other warranties, expressed or implied, and DigiTech neither assumes nor authorizes any per- son to assume any obligation or liability in connection with the sale of this product. In no event shall DigiTech or its dealers be liable for special or consequential damages or from any delay in the performance of this warranty due to causes beyond their control.Flanger.21 Connecting the BP200.5 Phaser.Introduction The BP200 gives you the flexibility and power to produce sonic creations never before thought possible. To become better acquainted with the BP200, we recommend you go through this User’s Guide with your BP200 in front of you.
Included Items Before you get started, please make sure that the following items have been included:.Front Panel SLApin.The LEDs also serve as a reference when using the BP200’s Tuner. DISPLAY - Provides information for all the BP200’s different functions.
EXPRESSION PEDAL - Controls the BP200's parameters in real time.1/8” stereo jack to practice along with you favorite music. OUTPUT - The BP200’s output is a TRS (tip, ring, sleeve) Stereo output that is used for both mono and stereo applications. Connect one end of a single mono instrument cable, or a TRS stereo “Y”.The BP200 can be connected in several different ways.The following diagrams show a few possi- ble options. Before connecting the BP200, make sure the power to your amplifier is turned off. The BP200 should also be powered off or unplugged.SLApin 1. Connect your bass to the BP200’s Input.
Connect a TRS stereo “Y” cord to the BP200’s Stereo Output. Connect one end of the “Y” cord to an amplifier, mixer channel, or power amp input.
Connect the second end of the “Y” cord to another amplifier, mixer channel, or power.Note: If connecting to a mixing console, set the pan controls of the mixer hard left and right, and be sure to use the BP200’s Cabinet Modeling. See page 20 for more information on selecting Cabinet Modeling.AMP TYPE, GAIN, and MASTER LEVEL Knobs - These knobs control the Amp Type, Gain, and Master Level of the current preset. FOOT SWITCHES - The 2 foot switches navigate up and down through the BP200's presets. Press both footswitches simultaneously to access Bypass mode. Press and hold these together to access the Tuner mode.Edit Mode The BP200 lets you create your own presets, and modify existing presets. To create your own preset, do the following: 1. Select a User or Factory Preset.
Press the SELECT button. The Matrix’s first effect row LED begins flashing.Store Mode After modifying a preset, you must store your settings to one of the 40 User Preset loca- tions. Do the following to store changes, or store a preset to a different location: 1. Press the STORE button. The STORE LED begins blinking off and on and the first character of the name flashes.5.
Press the STORE button a final time to store your changes. STORED followed by the current preset name is displayed. Press Store Again Preset Number Flashes 5.
Press Store Again Saves Preset to BP200 4. Select Destination with Footswitches Note: The SELECT and RHYTHM buttons abort the Store Mode.MASTER LEVEL knobs are disabled in Bypass mode. Tuner Mode The tuner in the BP200 lets you quickly tune or check the tuning of your bass. To access the Tuner do the following: 1.
Press and hold both foot switches until TUNER appears in the display.5. Press either of the 2 foot switches to exit the Tuner mode, and returns you to the last mode used. Display Shows Note Played Top LEDs Indicate tuner Note is Sharp Green LED Indicates Note is In Tune Bottom LEDs Indicate Note is Flat Note:The STORE and RHYTHM buttons are disabled in Tuner mode.Rhythm Trainer The BP200 includes 31 sampled drum patterns that may be used to develop a good sense of timing. To use the Rhythm Trainer, do the following: 1. Press the RHYTHM button. Rotate the AMP TYPE knob to select 1 of the 30 patterns available.4. Rotate the GAIN knob to adjust the minimum value the expression pedal reaches (toe up).
Digitech Rp200 Manual Espanol Free
Rotate the MASTER LEVEL knob to adjust the maximum value the expression pedal reaches (toe down). Press the STORE button to store your changes.
See page 10 for more information on storing presets.This calibration procedure does not erase user presets. Factory Reset This function resets the BP200 to its original factory settings. This procedure erases all custom user presets, and recalibrates the Expression Pedal. To complete a factory reset, do the following: Attention: ALL user defined presets will be lost if this function is performed! 1.Effects and Parameters Signal Path The BP200 is comprised of the following effect modules linked as follows: Bass Amp/ Fretless/ Compressor Whammy Stompbox Modeling Cabinet Volume Volume Noise Gate Effects Delay Reverb Modeling Pedal - Pre Pedal - Post Fretless / Wah The fretless simulator creates a fretless bass sound with a fretted bass.Compressor A Compressor is used to increase sustain, and prevent the signal from clipping the input of the other effects.The compressor threshold is a fixed setting.
Amount - Rotate the AMP TYPE knob to increase the amount of compression (OFF, 1-99).Hiwatt, Fender, Ashdown, Sunn, Ampeg, SWR,Trace-Elliot, Mesa/Boogie, Guyatone, Electro Harmonix,Voodoo Labs, and Boss are trademarks of their respective companies and are in no way associated with DigiTech. Type - Rotate the AMP TYPE knob to select the type of Amp/Stompbox model.8x10 - Based on an Ampeg SVT 8x10 cabinet Ampeg, Acoustic, Sunn, Fender, and Eden are trademarks of their respective companies and are in no way associated with DigiTech. Cabinet - Rotate the AMP TYPE knob to select one of 6 cabinet types.Effects The Effects row has several effects to choose from: Off, Chorus, Flanger, Phaser, Vibrato, Octavider, SynthTalk™, Envelope Filter, Pitch, Detune, and Whammy™. When the Effects row is selected, the following settings apply: Type - Selects the type of effect used in the EFFECTS module. Amount - Controls different aspects of effects depending on the type selected.Phaser A phaser splits the incoming signal, and changes the phasing of the signal.
The signal is then taken in and out of phase and mixed back in with the original signal. As the phasing changes, different frequencies get cancelled resulting in a warm twisting sound.Octavider effect (0-99). SynthTalk™ SynthTalk™ is exclusive to DigiTech. It appears to make your bass speak based upon the attack or how hard you strike the strings.
Amount - Rotate the GAIN knob to select one of the ten different synth voices (Vox 1- Vox 10).Detune A detuner makes a copy of the original signal, takes the copied signal slightly out of tune, and mixes the two signals back together. This gives the illusion that two guitars are playing the same part together. Amount - Rotate the GAIN knob to adjust the amount of detune (+/-24 cents). Effect Level - Rotate the MASTER LEVEL knob to control the mix of the detuned note (0-99).Delay Delay records a portion of the incoming signal, and plays it back a short time later.The recording can repeat just once or several times.
I paid $150 at Guitar Center. I bought it basically because I could save money on this than buy a thousand pedals.Well the main thing is that it has a LOAD of effects and effect possiblities. It has amp modulation and pickup modulation. And it also has a drum machine in it too.Well first of all when I bought it i said wow this thing is really cool, but after a few weeks i started to notice it may be cool but it is not at ALL practical. First the major MAJOR problem is that you can't switch to a certain sound quickly.
You first must go through all the effects that you need to before you reach that effect. NOT AT ALL FOR PERFORMING!!!!!!! Another thing is that although it may has 150 different presets of sounds you soon discover you don't need 95% of them.
So basically i'd just buy the pedals as you need or like. I also discovered that the updated models big and small have basically the same system just with more possibilities.If I were you i'd forget this thing and buy a pedal that you want to use the most.This review was originally published on. I decided to get back into music after a long lay-off. Got my new guitar and amp(Peavey)but didn't have any effects. Thought a multi-effect might be my best bet.
After researching the various units, I decided on the Digitech RP-200. Paid $143.00 at my local music shop(Mom and Pop, not super store). I'm amazed at what technology has brought. No more amp/Cry-Baby/MXR-90 Phase and that's it, like the old days! As far as spectrum of different effects offered, if this doesn't have it, you don't need it.
As to sound quality, read on.Reasonable price. Preset patches for generic types of music styles. Matchless amp sim is GREAT! Chorus and flanger are clean and quiet. Echoes are good, but don't have the controlability I'd like for regen and rate. Distortions/cab/amp sims are pretty good.
The Marshall is excellent. I still think the best distortion is a good amp set to 11, but these are useable, if a little cold. Expression pedal takes some practice, but works good for volume/effect control. Inputs for CD player let you play along with CDs to learn new stuff. Drum machine is OK for beginners to practice their timing, but that's about it.
Headphone out lets you practice without generating divorce proceedings. Noise gate works really well, as does compression.Setting custom patches is a long, time consuming process.
The versatility actually works against you, as there are so many ways to change the sound. Patches can only be accessed by scrolling up/down with the foot switches. Creates time lag that drives me crazy. Very bad for changing sounds in the middle of a solo, etc. Tuner is virtually useless.
Digitech Rp200a
Tracks all over the place. The wah-wah pedal effect blows. I'm gonna have to get a Cry-Baby re-issue, or something.
The auto-ya/talk-ya are gimmicks. Octave is a little muddy. Harmonizer in 5ths is OK but 3rds is atonal and unpleasent.Construction is good, but I don't think it's road quality. Using this on stage would be about impossible, anyway. Electronics have gone into rectal arrest on me twice. This makes you do a reboot procedure that I find mega annoying. NOTE: If the unit gags, you lose about half of your presets and ALL of your custom patches.
Digitech, if you're listening.what the f&.k??!! Again, the thought of using this on stage is enough to give me nightmares.Well.I'm still fooling with it after 6 months and finding new things to play with. Setting your own patches is the way to most effectively use this. It's time consuming, but really the only way to get EXACTLY what you're after. Good sound CAN be had. The Digitech website is excellent and has forums where other people with more free time than I have share their patches.
Kudos to those thoughtful players. For the price, the capabilities are hard to beat. The same versatility in stomp boxes would cost thousands. If you're a live player, though.don't throw away those stomp boxes quite yet!This review was originally published on. I got the rp 200 hundred for my birthday when i first started playing the guitar it was like a fucking dream. I had asked for a distortion pedal and dad said screw it ill get him the whole set i guess he paid around 140.the rp 200 has so many different effects and its a very affordable price for a begginer. You can create your own particular sound something that says your name when people hear it you know your own unique sound or you can try to find the sounds of your favorite artists.
It comes with a ryhtm button i guess you could call it and you can change the tempo of the beat which is fuckin awesome for improving your chops for you heavy metal fans im at 170 beats per minute now i know it isnt anything compared to slayers 210 but im workin on it.it does have many features but, theres always a but, the distortion on it isnt as good where as if you bought a pedal specifically for distortion. Same with whammy or wah sounds. I picked up my RP-200 at a local music store called Music Music in Bradenton, FL, brand new at a bargin for $125.
Being a long time customer and having initially learned to play guitar there was another bonus.The RP-200 is fantastic as far as amount of effects, clarity of signal, and construction of the unit. Programing takes a little time to learn but once you build a couple of your own for set ones from the DigiTech website, you begin to really get a feel for it. Small and light weight yet sturdy makes it ideal for gigs and practicing, from sitting & picking to being rough and tough on it.I've read alot of reviews saying the pedals are tooclose together and i never really had a problem with this until i played a club with very little lighting, but that night i had bigger worries than stomping on the wrong button (it was that dark.). My only viable complaint is programming a succession of effects in-line for certain songs as programing can become time consuming.A steel shell and hard, ABS plastic buttons make the RP-200 a tough little unit. The display and led markers for the effects and modeling is bright and easily trackable to what ever you are doing on stage. The power input is a bit of a worry, but mounted in a stompbox case eliminated that completely (which i highly reccomend anyways).All in all, the RP-200 is a great unit for gigs where you don't want to lug about a bunch of equipment and can be programed easily for any situation.
The espression pedal is a dream and can help make your own unique style and sound, add to that the fact that the factory presets mimic the most popular effect and amp models so begginers can sound like thier idols and thus encourage more practice time and better satisfaction of thier growing ability. For more davanced players this is nearly a neccessary tool for live gigs for ease of use and control of effects and that sound they look for.This review was originally published on. I brought this unit in desperate need of creating new songs and getting some more sounds out of my guitar i brought it from Guitar Village in the UK i spent 130 pounds for it.I like the variety of effects you can use on there own and at the same time also the built in drum kit is amazing helps begginer guitarists (like me) to keep in time great design, good looking perfect.Ermmm the knobs are to close to the small pedals and also signing each of the pedals is hard.Simply GreatBuy oneThis review was originally published on. I bought this on Musician's Friend for $150. I had been trying to find a good effects modeler, but I was on a budget, and after hearing one played at a friend's house I opted for this one.The RP200 has so many excellent features.
Pickup modelling, which allows you to get the sound of a dual humbucker guitar even if you don't own a guitar with humbuckers, and vice versa, amp modelling, noise gate, delay, compression, wah, custom mic settings, and 28 studio-quality effects. The amp models sound incredibly true to the originals. Worried about not having a built-in distortion effect?
Put your fears to rest, as the gain settings will give you all the screaming sustain and crunch you'll ever want. To the trained ear they might not sound fully realistic, but it is very hard to tell between the real amp and this modeler. Another thing that's so great about the RP200 is that it has all kinds of fantastic-sounding effects (the chorus on this thing rules!).
Digitech Rp500
There are even a few things I've never even heard of, such as SynthTalk. You can tweak all the parameters separately to achieve the perfect sound.
There's also the mic placement sections, which offers, I believe about sixteen mic placement options. This is a great pedal for live use because it has so many features. And the drum machine, though a bit limiting and primitive, sounds great.Well, the wah on the RP200 sounds pretty bad, and the pedal on the side doesn't make it any better. If you use a lot of wah in your sound, keep your Crybabies because this isn't your machine for wah. The pedal does seem a bit useless, too. I personally only use it for Whammy, because everything else you can use it for probably won't need to be adjusted in the middle of your playing. It's also a little hard at first to access the tuner or bypass the system, but you'll get used to it.
Plus, there is no internal power source, so you have to always find a plug if you want to play it. So that essentially means that if you run out of plugs near your rig, you're screwed.The RP200 is made of extremely durable cast-iron. This thing is very sturdy, so it won't break if you accidently drop it backstage. The actual plug is a little awkward because there is no internal power source and it must be plugged in via an outlet at all times, so that is kind of annoying. But the body is not at all cumbersome and actually becomes convenient most of the time.This is an excellent pedal for someone looking for a ton of different effects and features but can't afford something bigger. It does have some drawbacks, but the good points more than compensate for it.This review was originally published on.
I bought the DIGITECHRP200 at e-bay brand new I bought it because I have heard so many good things about it. AND I ONLY PAID $108 that was a great deal.I think another reason of why I bought it is because of its very large amount of effects.
You can never have to many effects like when you age playing a song you want to be able to have a lot of verity.I like so many things about this peddle I dont know were to start. Well I think one great thing about it is the wide verity of effects you can go from playing some hard rock from OZZY OZBORN to playing some acid rock like JIMI HENDRIX in a click of a peddle.One very good thing about it is that the are 30 different drum beats with 99 different speeds so like when you are making a new song or just jamming its a great thing to have.I cant really think of any thing wrong with it.Its built solid strong and durable if had it for a little wile know and its good as new. I love this peddle its the best one I have ever had.I love this peddle its the best one I have ever had.This review was originally published on. I got this awesome effect box 2 years. Before that I had used a and was amazed at the quality of the effects. I've been playing for 7 years and I didn't like digital effects because the ones I tried before this one were really bad, so I stuck to analog. After trying the rp 200 I was convinced it was the pedal for me.I had tried the but the only limitation was that it has no volume pedal, so wah/wah was out of the picture(I don't like auto wah).
You can really recreate any sound on this box. From heavy distortion to jazz clean sounds, its all thereThere's one effect that doesn't sound well on this and its when you want to mix a distortion with the wah. I've so many different combinations I don't a decent sounding distortion/wah.Built to last. This thing very strong. I think its die-cast metal. It can take pounding after pounding.
I play several times a week at my church it has never given me a problem.I believe that this the best pedal for the money. It has amp simulation, mic simulations, pickup simulations, a variety of effects, reverb, delay the list goes on.
I recommend this to nay guitarist out there looking for a good priced digital effects box with everything you needThis review was originally published on.